This piece explores ideas of addiction, chance, immigration, and the American dream. Immigrants often leave their countries in pursuit of the American dream--to build a better life, to find financial stability, to give more to their families &, etc. The journey takes sacrifices, hope, and patience but even all this effort can often still lead to a game of chance on if financial stability can be achieved.

"Gambling offers a unique appeal to immigrants as an enticing and rapid way to make money. Also, gambling does not require the ability to speak English or US citizenship. Finally, since many immigrants may be gambling together, there is the added benefit of socialization and peer support. The process of acculturation is stressful in itself, further reinforcing the lure of gambling as a way to deal with adjusting to a new culture and as a way to avoid having to deal with the stressors of this process. To examine this, Petry screened 96 Southeast Asian refugees from Laos, Cambodia, and Vietnam from a community center and reported an astonishing pathological gambling prevalence rate of 59 percent in this population.31 Even more intriguing is that 42 percent had gambled more than $500 in the previous two months, an amount that undoubtedly represents a large percentage of the household income of refugees."

In Laos, there is a phenomenon where balls of light rise from the Mekong River every year around the Buddhist lent. Some people think it’s chemicals in the river making this happen. Some think it’s man-made to attract tourists. Some believe it’s the Naga rising from the river to greet people for the Buddhist lent. In this animation, I take a statistic about how children makeup 40% of bomb victims affected by 80 million cluster bombs left behind from the Vietnam and Secret Wars and turn it into a story where their souls are assisted by the Naga, the protector of all Lao people.


ARTIST: KIM SANDARA

about the art

These pieces are a transition into my work taking a deep dive into identity. “Freedom” is an exploration of my experience of Lao music vs. American music growing up. The rest of these paintings are a reflection of the pandemic, living in and out of memories and taking in what the present has become. The two animations circle back into identity both as a child of immigrants and specifically the reveal of a dark history of being Lao American. 2020 challenged me to start looking at my identity more critically than I ever have and 2021 begs me to continue. 

about the artist

Kim Sandara is a queer, Laotian/Vietnamese, artist from Northern Virginia and now based in Brooklyn, NY. In 2016, she graduated from the Maryland Institute College of Art, with a BFA in General Fine Arts. She’s shown work at various DC community events. in 2019, the  National Museum of Women in the Arts' gift shop collaborated with her to create an event  "Being" showcasing her work and guiding visitors to draw music. She has been featured in  Visart's Gen 5 exhibition, the Torpedo Factory's 2019 Emerging Artists exhibition, and the Washington Project for the Arts’ 2019 Auction Gala. In her Torpedo Factory summer 2019 Post Grad Residency, she created a stop motion animation about her parent's immigration story intersecting her coming out story. She used the studio space as a shop to fundraise for local and national LGBTQ+ nonprofits empowering queer youth. In her 2020 Bresler Residency at  VisArts, she focused more on Lao identity work. She's currently working on her graphic novel  "Origins of Kin and Kang" about her coming out story and collaborating with Legacies of War to help fund removing the bombs left over from the Secret and Vietnam Wars from Laos. She is eager to integrate into creative, queer, and Asian communities in Brooklyn.